Luis Buñuel: The Prophet of Cinema
“ The cinema’s prophets are few and lonely; none more formidable than the Spaniard Buñuel.” — Tony Richardson “ I do not wish this film to enchant you. Rather, I wish it to enrage you.” — With these incendiary words hurled at the audience of a Marseille cine-club before the screening of Un Chien Andalou, the prophet of cinema, Luis Buñuel, announced his creed. From 1928 until 1977 , across nearly half a century of filmmaking, he never betrayed this inaugural declaration. Until his final work, That Obscure Object of Desire ( 1977) , he remained faithful to the vow taken at the dawn of his career. Thirty-two films in total — each one carrying the same flint of provocation, each one striking sparks upon the stone of society. Every Buñuel film, one after another, has never lulled but unsettled; never caressed but incited. Critics have described his cinema as a mirror of society — an enormous, merciless looking-glass where the spectator confronts his own grotesque reflection, ...